By chance we took on Route 61 on the first day of the lunar year. We were visiting Fort Zeelandia, and thought it would be interesting to drive north to Taichung from there on Route 61. Route 61 is the West Seaside Expressway; some segments are not yet finished. The route goes through some "inland sea" (lagoon) and passes many small land areas developed for fish farming. There was little traffic, and the scene mostly solitary.
Tag - Taiwan
2010-02-16
Road Trip to Kenting
By trc on 2010-02-16, 23:58
Early this month we were on a road trip to Kenting. It is a semi-annual family trip we take in the winter break; the other in the summer. We drove south all the way to Kenting from Taipei, and stopped at Taichung, Meinong, and Kaohsiung; and on the return, at Tainan and again at Taichung. The kids had been to Kenting several times. They were less thrilled about the place. Still, Kenting continues to be a favorite of the family. As for myself, often I am in a better mood whenever going more southern than Taichung. This time it is of no exception.
These photos, I hope, capture the mood of the trip. It is not the full picture, of course. (We went to two hospitals, but I am not going to write about it.) It has been a fun trip.
We stayed at Kaohsiung for two days. We went to Rueifong Night Market in the first evening. We had been to Liouhe Night Market in Kaohsiung, so I expected Rueifong to be about the same. I was wrong. The feels are quite different. I cannot say that I like one over the other. Rueifong is very compact and too crowded; Liouhe has too many Japanese tourists. It is hard to have a personal favorite about night market.
The next day we went to Cijin Island, once a peninsula, just outside the Port of Kaohsiung. We went through the Cross Harbor Tunnel by car; last time we took the ferry. By car, we were able to explore more about Cijin.
Kenting needs no word. Here are some photos.
A road trip, by its nature, asks to explore roads that, until now, have not been taken. I have circled Taiwan several times by car — it is a small island after all — but are often wondering about the roads not yet taken. The southern tip of Route 1, or at least some segments of it, was new to me and proves to be very memorable for this trip.
Note: There are 30 photos about the trip in this album.
2009-08-13
A Name to Remember
By trc on 2009-08-13, 22:12
Morakot, 2009/08/07 at 05:25 UTC, when it started to bring record rainfall and heavy damage to Taiwan.
要牢記的名字
莫拉克在 2009/08/07 05:25 UTC 的位置。它已開始在台灣帶來破紀錄的雨量與災害。
«Whale Island Uprising» CC-licensed
By trc on 2009-08-05, 15:59
By chance I encountered this CD album titled «Whale Island Uprising: Declaration of Human Rights». What caught my eyes actually is not the reflective words on the cover of album package (my apology for the following inadequate translation):
In the Winter of 2008, the youth of the Whale Island gang first put together their voices. With their plain and pure passion, and their believe in equity and justice, they brought out these works to show they care!
Think — of all the lies in the media and politics, how would you look through the superficies and get to the truth?
Feel — in your wandering and loss, and the rigidity and constraints of the system, do you see yourself?
Watch — human rights ignored and by-passed, can you endure the inequities and the consequences?
Rather, it is the small CC BY-NC mark at the back of the album cover that I recognize by instinct. On the cover, there are also links to Amnesty International Taiwan and the Small Place Tour events. How would human rights and copyright rights connect in this CC-licensed CD produced by Gamaa Music?
The connection is that music societies in ten colleges in central and southern Taiwan, as well as many indie bands, collaborated in organizing more than 10 Small Place Tour concerts last year. Year 2008 is the 60th anniversary of the universal declaration of human rights. Amnesty International had been working with artists and musicians everywhere in giving small concerts, so as to reach out to people to care for worldwide human rights issues. This global campaign was called the Small Place Tour.
These concerts and the albums were not funded by Amnesty International; they were voluntary efforts by the participating artists and musicians. By using music to promote human rights, it was hoped that the message would touch upon more people. It is by this connection that I feel especially thankful that the «Whale Island Uprising» album is released under a CC license.
Note: This entry was first posted at the Creative Commons Taiwan web site.
《鯤島起義》以創用CC授權釋出
偶然的機會接觸到這張音樂專輯,叫做《鯤島起義之人權宣言》。牽引我眼睛的不是CD包裝盒側邊的冷冽文案:
2008的冬天,鯤島幫的青年首次集結發聲。以素樸的熱情,與對平等正義的信仰創作,搖滾對社會的關懷!
思索 — 在媒體政治操作的紛擾矯情謊言喧鬧洪流中,要怎麼看穿表面,回溯本質?
心疼 — 人們盲目追尋徬徨迷惘,被扭曲的體制規訓束縛,孤寂空洞中看不到自己。
看見 — 人權價值被忽略與輕蔑,導致社會問題叢生及資源分配的不公不義。
而是近乎「職業性」本能所瞄到、不起眼的創用CC授權標示。這張由迦鎷文化音樂國際有限公司發行的專輯,以「姓名標示 — 非商業性」方式釋出。
CD包裝盒上卻也同時標示了國際特赦組織台灣總會以及「小地方音樂季」 (Small Place Tour) 的網址。著作權與人權有關嗎?
原來這是去年底由中南部十所大專院校社團、以及台灣十多組獨立樂團發起,共同為人權發聲,巡迴演出十數場的紀念專輯。去年為了紀念世界人權宣言60週年,國際特赦組織以多場次、持續舉行、小型演唱會的方式,來呼喚普世大眾關注人權議題。這項全球的在地活動就稱為「小地方音樂季」。
這些演唱會、唱片不是由國際特赦組織出資舉辦或發行,而是由音樂人主動將他們的演出、作品與人權議題結合,以求能將觸角伸得更遠更深。而台灣的這張紀念專輯能以創用CC方式釋出,也就分外令人感念了。
註:本文先前已刊於台灣創用CC計畫網站。
Taipei Held Meeting on Public Licensing of Scientific Data and Publications
By trc on 2009-08-05, 00:52
Creative Commons Taiwan organized the Symposium on Common Use Licensing of Publicly Funded Scientific Data and Publications at Taipei, Taiwan, on March 27, 2009. The symposium was jointly organized by CODATA Taiwan, NARL Science & Technology Policy Research and Information Center (STPI), Taiwan, and NRC Board on Research Data and Information, USA. The meeting was held in Academia Sinica, the host of Creative Commons Taiwan.
The symposium program, as well as the abstracts and slides of the presentations, is available at the symposium website http://scientificdata2009.creativecommons.org.tw/programme. The one day symposium consists of three sessions and one panel. The symposium touches upon the history of and the rationale for commons use of scientific data and publications (session 1), emphasizes the current practice and trend of common use licensing (session 2), and discusses the various issues and challenges faced by the scientific communities (session 3).
Joining from US at the symposium are Paul F. Uhlir from the National Academy of Sciences, Harlan J. Onsrud from University of Maine, and Kaitlin Thaney from Science Commons. Gene Hettel from the International Rice Research Institute (IRRI), the Philippines, and whom the Creative Commons Taiwan team met at the Commons Crossroads meeting at Manila in February, also joins the symposium and gives a presentation on IRRI's new Creative Commons licensing policy for its scientific publications.
The Taiwanese speakers include Ted Lau (STPI), Ly-yun Chang, Kwang-Tsao Shao, and Eric Yen (all from Academia Sinica), Chau Chin Lin (Taiwan Forestry Research Institute), and Ming-Che Wu (Taiwan Livestock Research Institute). Ly-yun Chang gives an overview of the Survey Research Data Archive that has been collected and maintained at the Center for Survey Research, Academia Sinica. Shao and Lin discuss issues and challenges in sharing biodiversity data and publications, and present the Taiwan Biodiversity Information Facility.
The symposium was closed by a panel, chaired by D. T. Lee (Chairman of CODATA Taiwan), on policy issues in implementing common use licensing of scientific data and publications. The panelists consist of Paul F. Uhlir, Ted Lau, Harlan J. Onsrud, and Tyng-Ruey Chuang (Creative Commons Taiwan). They exchange thoughts on policy issues and examine potential policy instruments to actively enable the sharing of scientific data and publications.
Note: This entry was first posted at the Creative Commons Taiwan web site. The Chinese language text below of this entry is quite different from the English language text.
科學資料的開放近用與自由流通
今年3月27日中央研究院舉行了一場「公共出資的科學資料與出版品的一般使用與授權」學術研討會。該會議邀集了不同領域的學者專家、公眾授權的倡議者與採用者、以及研究機構的策略規劃者,就科學資料與出版品的開放近用與自由流通,進行了廣泛的討論(詳見研討會網址,以及講者投影片)。
科學出版品(指可被視為著作的部份),在一般使用與公眾授權方面,已受到相當的重視。在觀念推展與實務作法上,無論是法律工具如創用CC授權條款,或是散布管道如採用開放近用 (Open Access) 的學術期刊及機構典藏庫 (Institutional Repository) 的建立,甚或是政策規範如美國〈國家衛生研究院公共近用政策〉 (‹NIH Public Access Policy›) 等各方面,目前已有許多可以借鏡、相互學習的地方。
科學資料(因進行科學研究而所蒐集產生的資料)的開放近用與自由流通,情況就比較複雜。資料 (Data) 以及資料庫 (Database) ,是否為受法律保護的客體,在不同國家有不同的法律規範。歐洲議會於1996年3月所通過的《資料庫之法律保護指令》 («Directive 96/9/EC of the European Parliament and of the Council of 11 March 1996 on the legal protection of databases») ,對於資料庫給予法律保護,並認為對資料庫的權利是特有的 (sui generis) ,與對著作的權利不同,兩者分別受到保護。但在美國、台灣、以及其他許多國家,資料庫不被視為著作,不受到著作權法的保護,也未必以法律給予特有的保護。
使用創用CC授權條款來作資料的釋出,嚴謹來說並不合適,因為資料並不是受著作權法保護的客體。荷蘭 CC 計畫 (Creative Commons Netherlands) 在 進行 CC 授權條款本地化的過程裡,考量了歐盟資料庫保護指令的情形,對荷蘭版的 CC 授權條款,就做了一些調整。為了避免使用CC授權條款所釋出的著作,是否也可被視為是資料庫,而有適用上的疑慮,荷蘭版的 CC 授權條款裡,將著作本身的定義放寬到包括資料庫,以擴大該授權條款的適用的範圍。但在台灣以及其它(無資料庫保護法律的)國家,該國本地化的 CC 授權條款,目前並沒有(也不合適)作這些調整。
為因應科學資料在自由流通上的需要,最近 Creative Commons 正式發佈了一項稱為 CC0 (CC Zero) 的宣告。聲明人可使用 CC0 宣告,表示對所宣告的作品,不保留著作權及相關權利。這些著作權及相關權利,包括著作權利、資料庫權利、以及萃取使用該作品所內含資料等權利;聲明人也不對使用人作「姓名標示」或「相同方式分享」上的要求 [1]。 Creative Commons 希望透過 CC0 宣告,可以讓所宣告的著作和資料的流通使用更加自由,近一步擴展創意、文化、科學的共有領域。目前已有兩項計畫採用了 CC0 宣告,分別是 The ProteomeCommons.org Tranche network 以及 Personal Genome Project 。兩項都有關於生命科學的資料分享與使用。
科學資料的公眾釋出與一般使用,在散布管道與施行方法上,也較少有示範性或共通性的作為。為呈現學術研究的成果,研究者主要著重於論文的發表。用以佐證研究結果的原始資料的整理發佈,並不受到格外的重視。將原始資料清理成公眾可以獨立使用的格式,對研究者反而是額外的工作。(這讓人想到一則關於自由軟體的聽聞:有些程式開發者心理很願意釋出程式的原始碼,但最後沒能釋出,原因是覺得自己寫的程式有些醜,或是程式碼沒加註釋,覺得不好意思,但也沒時間修改了,所以就不釋出。)
一般的研究機構對其所蒐集產生的科學資料,通常在釋出政策上也不多作要求,在行政程序或是資訊技術上,也未必對研究者提供必要的協助。研究機構或是研究者本身,也常以智慧財產的角度,對科學資料的釋出,持保留的態度;當資料還沒被分析發表為論文之前,這些資料的開放近用與自由流通,尤其困難。但在現今的研究環境,能夠取得其他研究團隊的第一手原始資料,自由進行各種資料的整合、萃取、與分析,以互惠的精神協力合作,卻是非常的重要。分享觀測資料的虛擬天文台,已是常見的典範模式。
公共所出資的科學研究的產出(即使是原始資料),應該給所有公民(包括其他研究者)所使用,這在法律、政治、與倫理上,都有不可逃避的理由 [2]。民主國家中政府資訊公開,以及公共出資的科學產出的開放近用議題,也逐漸受到重視。有足夠的例證顯示,政府資訊(包括公共出資的科學資料)的公開對於社會經濟活動,相當有助益。一些研究報告就指出,相對於歐盟,美國聯邦政府採取較開放的方式,釋出所掌有的資料(如地理量測、即時氣象等原始資料),因此在相關產業的規模與發展(如地理資訊、氣象預報等服務),領先歐盟甚多。
對於科學資料與出版品的開放近用與自由流通,台灣在政策上並沒有特別的規範。雖然《科學技術基本法》的第二十條提到:「為推動科學技術研究發展,政府應擬訂科學技術資訊流通政策,採取整體性計畫措施,建立國內外科學技術研究發展之相關資訊網路及資訊體系」,但這似乎是高層次的宣示;個別研究機構對於其所產出的科學資料與出版品,是否釋出供一般使用,在作法上可能差異很大。以下簡要介紹兩項示範性的作為,供大家參考。
國科會的‹專題研究計畫執行同意書›,要求以調查法(如面訪、電話訪問、郵寄問卷等)進行計畫之主持人,應將「研究成果報告、資料讀我檔、空白問卷、過錄號碼簿、電腦資料數據檔、資料欄位定義程式等及調查資料檔案利用授權書」,送中央研究院人文社會科學研究中心調查研究專題中心。而該中心對所保管的調查資料,於一定時間後,釋出給國內外研究機構、大專院校的研究人員、教授或研究生使用。
2001年由行政院核定通過的「生物多樣性行動方案」中,明示應建置國家生物多樣性資訊中心,整合全國生物多樣性相關資料,促進研究、教育、及保育之功能。為此中央研究院已接受國科會與農委會部份經費補助,負責整合台灣生物多樣性的各式資料,並維運「台灣生物多樣性資訊入口網」 (Taiwan Biodiversity Information Facility, TaiBIF) 。該網站是台灣在「全球生物多樣性資訊機構」 (Global Biodiversity Information Facility, GBIF) 的入口網站,與其它參與 GBIF 的國家入口網站,進行生物多樣性資料的全球交換與分享。
以上兩項工作的內容與挑戰,請參見張苙雲、邵廣昭兩位研究員在3月研討會的介紹。科學資料的開放近用與自由流通,還有許多努力的空間,也需要大家的關注。
註:本文先前已刊於台灣創用CC計畫網站。此篇的中文內容和英文內容相當不同。
[1] Creative Commons, ‹CC0 FAQ›. ^
[2] Paul F. Ulhir, ‹The emerging role of open repositories for scientific literature as a fundamental component of the public research infrastructure›. In «Open Access: Open Problems», pp. 59-103, G. Sica (editor), Polimetrica, Torino, Italy (2007). ^
MoShang Music and Ubuntu 9.04 Free Culture Showcase
By trc on 2009-03-31, 15:38
The results of the Ubuntu 9.04 Free Culture Showcase have just been announced. MoShang (a.k.a. Jean Francois Marais) won the Audio category with his sound track ‹Invocation›. The winning entries in the Video and Graphic/Photo categories are from, respectively, Robbie Ferguson and William J McKee Jr. These works will be showcased in the "Examples/" directory in the upcoming Ubuntu 9.04 distribution. They are all released under a Creative Commons "Attribution-ShareAlike 2.0" license.
People who are into downtempo electronica probably know about and enjoy MoShang's tracks already, so MoShang Music hardly needs introduction. MoShang produced the highly acclaimed «Asian Variations» remix album in 2007, and co-produced with Pig Head Skin the collaborative music album «CABACA» in 2008. He also remixed and mastered Kou Chou Ching's double-CD award-nominated album «KOU!! It's Coming Out!!!». By the way, he is a "son-in-law of Taiwan" — a title Taiwanese fondly refer to the one who arrives from afar and gets married to one of their daughters. (Yes, someone was in their wedding just recently!)
The track ‹Invocation› is from his new EP «Stone Bell». MoShang also does live online mixes in Second Life, and is now putting up new online mixes at his website every week. Go find them and enjoy the mixes!
Note: This entry was first posted at the Creative Commons Taiwan web site.
莫尚音樂與 Ubuntu 9.04 自由文化選拔活動
Ubuntu 9.04 自由文化選拔活動日前宣佈得獎者。其中的聲音項目由莫尚 (MoShang) 的 ‹Invocation› 一曲獲選。影像和圖像項目分別由 Robbie Ferguson 和 William J McKee Jr 的作品獲選。將於四月發佈的 Ubuntu 9.04 最新版本中,三項作品將收錄在其中的「範例」目錄,並以創用CC「姓名標示-相同方式分享 2.0」授權條款釋出供公眾使用。
許多電子音樂的愛好者對莫尚這位台灣女婿(是的,住在台灣的他幾周前才結了婚,有位台灣太太)的作品,應該都不會感到陌生。他於2007年製作的 «Asian Variations» 混音專輯深獲好評,2008年與朱約信共同製作了《卡巴卡》協力創作合輯(兩張專輯都使用創用CC授權)。拷秋勤的金曲獎入圍專輯《拷!!出來了!!!》,也是由他混音。
這次獲選的 ‹Invocation› 一曲收錄於他新近的 EP 專輯 «Stone Bell»。莫尚在 Second Life 每週有一次即時混音演出,目前他也陸續把這些演出的錄音檔在他的網站上釋出(採創用CC「姓名標示-非商業性 2.5 台灣」授權條款)。聽聽看,你會入迷!
註:本文先前已刊於台灣創用CC計畫網站
2009-03-03
Mazu Procession
By trc on 2009-03-03, 10:46
By incident I walked across a Mazu procession, and I captured these pictures using my cellphone. Mazu and her believers in this procession are from the Songshan Cihyou Temple. Songshan Cihyou Temple was founded by the people in "the 13 streets and villages in Sihko" in 1757, according to the Temple's web site. To this day, the Temple still is a spiritual focal point for people living in the Songshan, Neihu, and Nangang districts in the Taipei city. It is an amazing feeling watching the Mazu procession going by, as if I am still a child and I am free as a kid.
媽祖繞巡
偶然的我與媽祖繞巡的隊伍相遇,用手機拍下這些照片。繞巡的媽祖與她的信徒來自松山慈祐宮。根據慈祐宮的網站,慈祐宮是由「錫口十三街庄」的居民於1757年建造完成。直到今日,慈祐宮仍是台北市松山、內湖、南港區居民的心中要地。看著媽祖繞巡隊伍經過的感覺很奇特,好像我還是小孩子,無所憂慮。
2009-02-12
Volfoniq Remix Kou Chou Ching
By trc on 2009-02-12, 08:47
Here is an interesting news from Kou Chou Ching, the hippest Taiwan traditional Hip Hop joint: The French artist Volfoniq has just released an EP «DUB'IN TAIWAN» collecting three mixes of their track ‹Your name is TAIWAN›. The album is released by the net label Les Cristaux Liquident (LCL) under the Creative Commons BY-NC-ND 3.0 license.
If you are a fan of Kou Chou Ching (like myself), you might notice that the third track in «DUB'IN TAIWAN» — ‹My dub is Taïwan: LCL edit› — is in Kou Chou Ching's double-CD album «KOU!! It's Coming Out!!!». It is the 12th track in the 2nd CD, which itself consists entirely of remixes made by friends of Kou Chou Ching based on their originals in the 1st CD. In «DUB'IN TAIWAN», however, Volfonig collaborated with Tribuman and Pier and made two new tracks: ‹Panique sur le dancefloor› and ‹Tsunamix›.
The net label Les Cristaux Liquident (LCL) is an artist collective based in Montpellier, France. From their website, they stated:
Les Cristaux Liquident considers the artistic creation as a raw material that can be reworked and whose original form can be adapted and changed. This way of apprehending art, alongside the open culture spirit, can give birth to new original creations that might be brought to evolve, transform, multiply…
All the artists releasing on LCL, have chosen the "Creative Commons" licence, a reliable way of avoiding abuses and attempts of artwork commercialization, without closing themselves to sharing practice.
Fearless open culture advocates and practitioners, indeed they are!
If you wish to enjoy more remixes of ‹Your name is TAIWAN›, you can listen to the mixes of Viba, DJ Jay Szu, and LTK Commune, which are collected as the 2nd, the 7th, and the 17th tracks in the 2nd CD of «KOU!! It's Coming Out!!!».
(Kou Chou Ching's original ‹Your name is TAIWAN› actually is also a mix: Their track mixed the legendary Chen Chou-Lin's ‹Moonlight Sighs› from the beginning!)
Note: This entry was first posted at the Creative Commons Taiwan web site.
〈汝介名,叫做台灣人〉 本尊分身七種版本
從拷秋勤部格格捎來的消息:法國電音創作者 Volfoniq 新近出版 «DUB'IN TAIWAN» 網路專輯,只收錄〈汝介名,叫做台灣人〉一曲的三款法國風混音版。該專輯的樂風獨特,並且以創用CC「姓名標示-非商業性-禁止改作 3.0」授權方式釋出,不僅值得仔細品嚐,還可以自由收藏、轉寄給朋友!
耳朵尖的讀者也許已發現, «DUB'IN TAIWAN» 專輯中的第三首 ‹My dub is Taïwan: LCL edit› ,其實已收錄於拷秋勤金曲獎入圍專輯《拷!!出來了!!!》,是第二片 CD (友情混音版)中的第十二首。 Volfonig 這次的專輯,另外邀請了 Tribuman 和 Pier 兩位音樂人,分別再混音創作成 ‹Panique sur le dancefloor› 以及 ‹Tsunamix› 兩曲。
發行這張專輯的網路音樂品牌 Les Cristaux Liquident (LCL) 也是開放文化的倡議者與實踐者,他們的網頁上寫著:
Les Cristaux Liquident 認為藝術作品是素材,可以被再次使用,原件的形式可以被沿用與更改。這種使用藝術的方式,以及所伴隨的開放文化精神,催生了新的、原創的的作品,而可以再演化、轉變、繁衍…。
所有在 LCL 發行的藝術家,都選擇「創用CC」授權條款:這是種避免遭到濫用和藝術品商業化的可靠方式,而且創作者也不會自外於分享的實務。
《拷!!出來了!!!》的第二片 CD 中,還另外收錄了三曲〈汝介名,叫做台灣人〉的混音版,分別由 Viba (第二首)、 DJ 小四 (第七首)、以及濁水溪公社(第十七首)所作。算一算,〈汝介名,叫做台灣人〉,本尊分身,共有七種版本呢!
(其實本尊也是混得很兇啊,一開始就用了陳秋霖先生創作的〈月夜嘆〉。沒聽過?就七種版本一起聽聽看吧!)
註:本文先前已刊於台灣創用CC計畫網站。









